More Necessity


An early work that was completed when I was less familiar with the direction I was heading in. It was so easy to fall in love with the tones and textures of the individual parts but I lost sight of the total piece. So it languished... for years.


Perhaps the most difficult part about working on a “completed” work is less about where to take this Foundling but more about how I was to get there. With the piece already assembled, certain areas are just not accessible. Yet another challenge to helping this work find its way.


The carved wood, so beautiful and bold was difficult to find a home for as it easily overwhelmed almost any work it was attached to, until this piece. Using it upside down the carving echoes the center piece and reinforces the brass laurel.

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American Beauty

How I create these works is a mystery to me. I often set out in a direction only to have to turn around or go off in a completely different tangent. The “not knowing” is both a source of joy as well a

Moonrise

This Foundling has not been put together yet. The parts are only laying in place to see if this piece is indeed working. I have had this delicate wooden frame for years but scared to use it. The frame

Different Challenges

I am still revisiting work that I have not been completely happy with. It is such a different way of working and yet so similar—not unlike switching from watercolor to oil painting. The basic idea is