30 March 2016 I have gone back to working in smaller sizes lately. There is something very precious about working in this size. In this piece entitled “Audrey”, there is a wonderful juxtaposition of ribbed patterns in the molding and the ribbed scallop shell.
I had thought that the only way to overcome a small size was to “over build” it, to make the work feel particularly solid, almost heavy. Doing this seemed to make sure that the small size wouldn’t make the Foundling look inconsequential. It seems that to have the interplay of a lot of patterns and textures creates a world that not only gives each piece an identity but more then makes up for its small size.