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Outside In


A small piece, only six inches square. Just when I start to think that making larger Foundlings are so difficult to create, I am reminded that simple, small works are just as difficult (perhaps more so). How to find that perfect point where simple is not predictable, and small is not boring? And small pieces always run the risk of looking like a souvenir.



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I have to be careful when I work large. As I have mentioned, working large means having to deal with weight, loads, and structure. Small works have their challenges but large works almost feel like cr

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