Old Friends


I can see how my work is evolving. The change is subtle but I can see it. Not that it’s easy to explain but there is a kind of harmony to the pieces. They look more contained, more complete. My Foundlings look like they are “meant” to be a certain way. When I have a less successful piece, there is an incomplete quality to them and I have an urge to change them.


That is not to say that everything I create is as successful as it could be, just that I am clearer with what I have been creating. This may have less to do with understanding the process and more to do with an understanding of the goal.


My older work just isn’t as consistently complete as I would like it and yet, this incompleteness has an endearing quality to it. Like an old friend who is irritating at times but is a good friend never-the-less. Their faults seem to me more like personality.



Recent Posts

See All

Just back from my trip to the Southwest traveling with my brother Gary. Aside from the beautiful nature to be found, in spite of the heat, traveling affords me two benefits. First, it’s a respite from

I have to be careful when I work large. As I have mentioned, working large means having to deal with weight, loads, and structure. Small works have their challenges but large works almost feel like cr

As stated in a prior entry, I was concerned about how large this leaf bowl was. I was concerned that this element either needed a large work to support it or it would easily overwhelm it. It turns ou