The Line Up


From time to time I use rivets, acorn nuts or bolts as a repeating design element. I suspect that this comes from a deep love of form and texture. Not unlike music, these “notes” add a subtle element that unites a work.


I would like to add these elements in an exact way and yet, they never really line up perfectly. Clearly my skill only takes me so far. I can be disappointed at my limitations but then, I realize that this inexactness adds a kind of warmth to my work. It humanizes it. If I made “perfect” elements, a kind of coldness would set in. This is what separates a human quality from a machine-like quality. This could, of course, just be a rationalization but I can’t dispute the warm quality of these Foundlings.


An art teacher once told me that the difference between a perfect circle and how you draw it, is called style.



Recent Posts

See All

I have often commented on maintaining a fresh perspective when creating Foundlings as it is so easy to get lost in the process. Usually a change in my perspective helps. Waiting a day or two enables m

11 January 2021. It is difficult to see yourself accurately, to access your own work and by extension, to see how your skills have improved both aesthetically and technically. I am not handy by natur

As the pandemic drags on, many antique stores are closed, few garage sales have been found, and art shows canceled. Although I still have plenty of material to create with — without new “ingredients”