top of page

Dragonfly


I thought this one would come together quickly. It hasn't. Here I am six weeks later and it still isn't together. I do love the background texture. I had purchased a piece of artwork where someone welded different textures of rectangular tin together making a mosaic. It didn't look like it was done with any vision, or love, but I did want to cut the work apart and "re-purpose" the textures.


I still have my concerns about using or re-purposing someone else's work but when my work calls for a detail and the detail becomes so integrated into the piece, it seems right. In Dragonfly, I think the texture echos the pattern in a dragonfly's wings in a very Art Nouveau kind of way. Also, the tinted metal has muted color creeping into my work. The verdigris blends so nicely with the dark wood and brass.

Recent Posts

See All

Serious Cherubs

I am working on a new piece and I am mostly happy with its progress. I have found that some of the ingredients used in my work sometimes carry a lot of “visual references”. A musical instrument is one

Bird's Eye View

I have often commented on maintaining a fresh perspective when creating Foundlings as it is so easy to get lost in the process. Usually a change in my perspective helps. Waiting a day or two enables m

Workshop Upgrade

11 January 2021. It is difficult to see yourself accurately, to access your own work and by extension, to see how your skills have improved both aesthetically and technically. I am not handy by natur

bottom of page